Further Reading

Jeremy Barlow, The Enraged Musician: Hogarth’s Musical Imagery (Aldershot: Ashgate, 2005).

David Bindman, ed. “Among the Whores and Thieves”: William Hogarth and the Beggar’s Opera (New Haven: Yale Center for British Art, 1997)

John Brewer, The Pleasures of the Imagination: English Culture in the Eighteenth Century (London: HarperCollins, 1997).

T.J. Edelstein, Vauxhall Gardens (New Haven: Yale Center for British Art, 1983).

Lawrence Kramer, Music as a Cultural Practice 1800-1900 (Berkeley: University of California Press, 1990).

Richard Leppert, Music and image: Domesticity, ideology and socio-cultural formation in eighteenth-century England (Cambridge: Cambridge University Press, 1988).

Edward Lockspeiser, Music and Painting: A Comparative Study from Turner to Schoenberg (London: Cassell, 1973)

David Matthews, Landscape into Sound, St Albans: Claridge Press, 1992

Marsha Molton and Peter Schmunck, The Arts Entwined: Music and Painting in the Nineteenth Century (Critical and Cultural Musicology) (Ann Arbor: Garland, 2000)

R. Larry Todd, Mendelssohn: The Hebrides and other overtures (Cambridge: Cambridge University Press, 1993).

Thomas Tolley, Painting the Cannon’s Roar: Music, The Visual Arts and the Rise of An Attentive Public in the Age of Haydn, c.1750-1810, Aldershot: Ashgate, 2001.

Gayden Wren, A Most Ingenious Paradox: The Art of Gilbert and Sullivan, Oxford: Oxford University Press, 2001.