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Lawrence Kramer, Music as a Cultural Practice 1800-1900 (Berkeley: University of California Press, 1990).
Richard Leppert, Music and image: Domesticity, ideology and socio-cultural formation in eighteenth-century England (Cambridge: Cambridge University Press, 1988).
Edward Lockspeiser, Music and Painting: A Comparative Study from Turner to Schoenberg (London: Cassell, 1973)
David Matthews, Landscape into Sound, St Albans: Claridge Press, 1992
Marsha Molton and Peter Schmunck, The Arts Entwined: Music and Painting in the Nineteenth Century (Critical and Cultural Musicology) (Ann Arbor: Garland, 2000)
R. Larry Todd, Mendelssohn: The Hebrides and other overtures (Cambridge: Cambridge University Press, 1993).
Thomas Tolley, Painting the Cannon’s Roar: Music, The Visual Arts and the Rise of An Attentive Public in the Age of Haydn, c.1750-1810, Aldershot: Ashgate, 2001.
Gayden Wren, A Most Ingenious Paradox: The Art of Gilbert and Sullivan, Oxford: Oxford University Press, 2001.